[For YOUR EYES ONLY is a recently started LOL Series which would carry interesting pictures and illustrations which throw some useful light on St. Thomas Christian history, culture, customs, manners representing every church and denominations of Syrian Christians. Prof. George Menachery who is a renowned scholar with vast research experience in Thomas Christian traditions and history organizes this Series.]

The very costumes and ornaments of the Thomas Christians indicate - at least used to indicate until very recent times - their deep Spirituality and commitment to the Gospel message. What the Bible speaks of the deportment of women is fully satisfied in the dress of Syrian Christian women of Kerala; it is a costume where beauty meets modesty. Allow me to quote (the late) Mrs. K. M. Matthew from the 1973 St. Thomas Christian Encyclopedia: “The costumes they wear are worthy of special note which in many ways resemble those of the high caste Hindu women. A white cloth-length 51/2 yards by 12/2 yards [Mundu} is folded into a Pudava which is again folded into fan like pleats. This fan like arrangement, which is highly artistic completely, covers the back portion of the woman when she wears the cloth. ... The upper portion of the body including the belly and the arm is completely covered with the loose blouse-like Kuppayam or Chatta. Going to the church they cover themselves from head to foot with a nice white cloth, when only the face will be visible. This dress is fully in keeping with the modesty and nobility of the Syrian Christian women. Naturally this dress is not meant to kill, the whiteness representing purity and chastity."

Again this is what Dr. J. Kolengadan has to say in the same Encyclopedia: “...the fan like appendage behind render their dress highly modest as well as artistically elegant...As they went out to church they had a veil like outer garment, with gold brocade, reaching to the ground showing nothing but the face...” The costume of the Syrian Christian women of Kerala does what the Purdah does but without its ugliness, unhealthy anonymity and abuses. Unfortunately today one has to watch the obituary columns of Malayalam newspapers to come across this unique costume - cry, the beloved country. D. Ferroli has this on the costumes of the Syrian Christians: " The mundu [of men] is fastened round the waist and reaches down to the heels. A towel is thrown over the shoulders...". "Except those who kept celibacy and those who had gone on a pilgrimage to the tomb of St. Thomas at Mylapore, all kept long hairs tied up in a bundle..."(Placid, Thomapedia, p.107>f,g.)

Kerala’s forest wealth has been praised by local poets of the Sangham era (first centuries BCE / CE) and by foreign travellers from time immemorial. Perhaps the workmanship of Kerals’s wood craftsmen excels wood carving found in almost every State of India and every country in the world, including African and Scandinavian countries. The teakwood of Kerala as well as such timbers as Rosewood, Irumul, Royal wood of Kerala forests have enjoyed world fame for many millennia.

The wood carvings of Malabar Churches are more abundant, more varied, and even often more artistic than similar works in other edifices…especially because even when the Hindu temples began to be influenced by the rock culture of mainland India the Churches mostly continued with their tradition of wood carving. The altars and altarpieces (reredos), Pushpakkoodus (rostra or pulpits), the ceilings and balconies, railings, statues, and Roopakkoodus … all display the highest achievements of the wood carver and the carpenter.

Here are some examples of woodcarving photographed by H.C.Q. Brownrigg of London- of the BACSA). These are from the Church at Kottarakkara.Mr. Brownrigg has taken a large number of photographs and slides dealing with the Kerala churches and has given a number of talks on the same. Read about the Kottarakkara church pictures in his own words:

Dear Professor Menachery, It was a great pleasure for me to visit you in Ollur and see the Menachery family `mana’. Thank you also for showing me round St. Anthony’s, which is one of my favourite Kerala churches. Lastly, thank you for `Glimpses of Nazraney Heritage’, which I read on the journey home and found enjoyable and extremely informative on a number of subjects. I also read the book edited by Bosco Puthur, in which MGSN expands on his points about Nambudiri migration.

Enclosed are copies of the photographs which I took at the Mar Thoma church in Kottarakkara. ( I am rather proud to have found a church which you have not already visited ! ) What put me into it was a passage in the travel book written almost a hundred years ago by Mrs. E. Hatch in which she describes the church as being in a ruined condition but with fine carvings and beams. Since then it has twice been rebuilt, but one long beam is preserved in the porch. It has eight protruding blocks, of which four have figurative panels. I am not sure what the subjects are.

One looks as if it might be the Annunciation, while another looks like the Weighing of Souls on the Day of Judgment. Incidentally, is the motif underneath these carvings what, in Glimpses, you call an ` Indian Cross ‘ ? Have you any idea where it originates? It seems half way between being a cross and a more decorative motif like the lotus.

I did not see any sign of an inscription, but one would need to go up on a ladder to look properly. Perhaps it might be worth writing to the priest. Lastly, in the churchyard there is a deepastambha but without any deepas! Is it just a cenotaph?

I hope to find an excuse to return to Kerala later this year or early next, when I hope we can meet again. Incidentally, a paper based on my talk at Changanasseri is supposed to be being published in the Journal of South Indian History. Since it was written as a talk illustrated with numerous slides I fear that it will be rather hard to understand when only illustrated with a small number of photographs. Have you heard anything about (the persons who organized that Seminar) They all seemed to disappear without trace! With Best Wishes
Brownrigg

This is the pedestal of the stone cross in granite [rock] in front of the Ollur Church which is the oldest church in the Thrissur Corporation area. But the Ollur Church is less than 300 years old whereas there are more than a hundred churches which are 400 years or more old in Kerala. And there are dozens of exquisitely carved open air rock crosses or Nazraney Sthambams in front of many of these ancient Kerala Christian places of worship, e.g. at Kottekkad, Enammavu [now in the Trichur Archieparcal Residence, where it was shifted from the Lourdes Cathedral Christian Cultural Museum that was estd. in 1980 - discovered by this writer in 1980 at Enammavu from a mud deposit] Mapranam, Puthenchira, Parappukkara, Veliyanad, Kalpparambu [the last discovered by this writer in the mud deposits] Koratty, Angamaly [one each in front of the three churches - the Western church cross, 27ft. tall- has been exactly reproduced in front of the Kakkanad Mount St. Thomas St. Thomas Christian Museum], Kanjoor, Malayattoor, Udayanperur, Kuravilangad,Uzhavoor,Chungam,Kaduthuruthy [2 Nos.], Muttuchira, Kudamaloor, Niranam, Kothamangalam, Chengannur, Thumpamon, Chathannur, Changanacherry [the base of the second cross was discovered by this writer in the Changanacherry cemetery], and many other places.

These crosses have four members: the base with a socket often fixed on a huge pedestal (see pic), the huge monolithic shaft with cylinder-like projections at both ends, the arm with sockets above and below, and the capital which forms the fourth arm of the cross with a cylinder arrangement at the bottom. All these crosses rise from the lotus carved at the top of the base member termed the Pookkallu. Many of these crosses have exquisite carvings and sculptures esp. on the four sides of the pedestal, and in rare cases on the shaft as the Adam, Eve, and the Serpent on the Chengannur Obelisk Cross. Like the Egyptian Obelisks the cross is a ray of the sun - Horus or Christ.

[Author Prof. George Menachery is a freelance Indian Journalist and Editor of the St. Thomas Christian Encyclopedia of India and the Indian Church History Classics. After teaching university classes for thirty years, he gave up the job as Head of the Department of Post-Graduate Teaching in order to concentrate on research and publication. SARAS (South Asia Research Assistance Services) provides information and research assistance for topics dealing with India in particular and South Asia in general. He has to his credit a large number of publications, research papers, articles, radio talks and TV programmes. His research activities and lectures have taken him to more than 20 countries in 4 continents.]

[Author Prof. George Menachery is a freelance Indian Journalist and Editor of the St. Thomas Christian Encyclopedia of India and the Indian Church History Classics. After teaching university classes for thirty years, he gave up the job as Head of the Department of Post-Graduate Teaching in order to concentrate on research and publication. SARAS (South Asia Research Assistance Services) provides information and research assistance for topics dealing with India in particular and South Asia in general. He has to his credit a large number of publications, research papers, articles, radio talks and TV programmes. His research activities and lectures have taken him to more than 20 countries in 4 continents.]